Music videos – Lotus And Rose http://lotusandrose.com/ Mon, 11 Oct 2021 12:00:28 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://lotusandrose.com/wp-content/uploads/2021/08/lotus.png Music videos – Lotus And Rose http://lotusandrose.com/ 32 32 Kindness campaign teaches songwriting, social and emotional learning through kind new music https://lotusandrose.com/kindness-campaign-teaches-songwriting-social-and-emotional-learning-through-kind-new-music/ https://lotusandrose.com/kindness-campaign-teaches-songwriting-social-and-emotional-learning-through-kind-new-music/#respond Mon, 11 Oct 2021 12:00:28 +0000 https://lotusandrose.com/kindness-campaign-teaches-songwriting-social-and-emotional-learning-through-kind-new-music/ We have been through some things in the last 18 months. How do you deal with all of this? Write a song. This is the concept behind the Austin Kindness Campaign’s new Kind Music program, which brings social and emotional learning to children in the classroom. Kind Music mixes “a beginner-friendly songwriting platform” and “an […]]]>

We have been through some things in the last 18 months. How do you deal with all of this?

Write a song.

This is the concept behind the Austin Kindness Campaign’s new Kind Music program, which brings social and emotional learning to children in the classroom.

Kind Music mixes “a beginner-friendly songwriting platform” and “an emotional health journey” for everyone, says Andra Liemandt, who founded the Kindness Campaign in 2015 and is part of the group of Austin, The Mrs.

“It gave me so much,” she says of the music. “Why not let others experience it? ”

A family, organization, business, class or individual can register for a one-hour session at kindmusic.org. In this session, they receive an introduction to songwriting as well as a lesson on how to turn their emotions into song lyrics. With the frontman of Kind Music, they find a band name and write a song. The song is then recorded and hosted on Spotify.


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Arrest of JayDaYoungan: How escalation of gang beef among rappers in rural Louisiana killed 2 people | Crime / Police https://lotusandrose.com/arrest-of-jaydayoungan-how-escalation-of-gang-beef-among-rappers-in-rural-louisiana-killed-2-people-crime-police/ https://lotusandrose.com/arrest-of-jaydayoungan-how-escalation-of-gang-beef-among-rappers-in-rural-louisiana-killed-2-people-crime-police/#respond Sun, 10 Oct 2021 09:00:00 +0000 https://lotusandrose.com/arrest-of-jaydayoungan-how-escalation-of-gang-beef-among-rappers-in-rural-louisiana-killed-2-people-crime-police/ What started as a birthday party in a remote clearing in the pine forest of Tangipahoa Parish last summer took a terrifying turn when a flurry of gunfire broke through the humid Louisiana night. Shortly after sunset on August 8, 2020, detectives arrived at a clearing on Vernon Town Road in Roseland – a place […]]]>

What started as a birthday party in a remote clearing in the pine forest of Tangipahoa Parish last summer took a terrifying turn when a flurry of gunfire broke through the humid Louisiana night.

Shortly after sunset on August 8, 2020, detectives arrived at a clearing on Vernon Town Road in Roseland – a place about 20 miles south of the Mississippi Line – to find hundreds of people jostling towards their cars in flight pop-pop-pop high-powered guns.

An argument between rival gang members, investigators later said, had ended, spilling over into the crowd of more than 500 gathered for a night of merriment. Dozens of bullets were fired, killing an innocent passer-by – a 21-year-old mother from Baton Rouge – and injuring several others.

“Everyone is a potential witness, and we don’t know who they are and who they aren’t,” said Lt. Jacob Schwebel, commander of the Tangipahoa Parish Sheriff’s Criminal Investigations Division. “It was definitely an active shooter situation.”

Law enforcement then linked the shooting to a clash between rival gangs from the southern and northern ends of Tangipahoa parish: La Familia, from the Hammond and Ponchatoula region, and the Purple City Boys from the north. Apart from announcing several arrests, however, law enforcement has provided few additional details on what sparked the so-called Roseland Trail Ride shooting.

Questions about the event swirled among residents of this rural area east of the Louisiana capital, where gang crime is not as common as in Baton Rouge and New Orleans, but is nevertheless have become a part of local life in recent years.

Now the mid-September arrest of famous Soundcloud rapper Bogalusa Javorius Tykies Scott, stage name JayDaYoungan, revealed new details of how a musical argument fueled an escalation of the gang battle in two parishes that claimed the lives of two people.

Sheriff’s deputies arrested a popular Louisiana rapper in Tangipahoa parish as an accomplice in second degree murder and obstruction of justice …

Tangipahoa MPs sentenced Scott on September 16 on a warrant for aiding and abetting second degree murder and obstructing justice, claiming he helped a key suspect in the Roseland shooting to evade law enforcement who carried him out. were looking for another murder committed weeks earlier.

Among the evidence against Scott in the hands of prosecutors is an unreleased video clip of him and Mitchell

On August 6, Scott filmed a video in Hammond with 19-year-old Jaylohn Mitchell, according to Tangipahoa Sheriff’s investigators and 21st Judicial District Assistant Attorney Jennie Perkins. The unseen footage shows the two surrounded by “multiple weapons” and “several convicted felons,” Schwebel said.

Mitchell, at the time, was wanted for the June 21, 2020 murder of 19-year-old Tykeith Harold Jr. in the nearby St. Helena parish. Court records allege Mitchell shot Harold at a Father’s Day rally on McDaniel Road, just west of Tangipahoa-St. Parish line Helena.






Jaylohn T. Mitchell

Jaylohn T. Mitchell


Harold and Mitchell had fought over gang affiliations and beat each other in music videos posted to social media before the dispute that left Harold dead, Perkins said, and investigators say they had links with the two gangs that would clash later. in Roseland.

Fifteen days after Harold’s death, Mitchell and Scott reportedly shot the clip in Hammond. Two days later Mitchell reportedly fired some of the shots that killed Hutcherson in Roseland.

The US Marshals arrested Mitchell in Houston on August 22, 2020 and extradited him to Tangipahoa Parish.

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Rapper JayDaYoungan posts Instagram photo of Amite City prison cell;  employee who took him fired

After a prominent rapper was arrested and charged with assisting in a gang-related murder in Tangipahoa Parish last year, he posted a photo for his…

Aside from Jaylohn Mitchell, “it’s a different group of defendants” involved in the two shootings on June 21 and August 8, 2020, Perkins said.

“But it involves the same two gangs,” she said.

Scott did not return several direct messages requesting an interview, and it is not clear whether he has hired a defense attorney since being released on bail from Amite City Prison on September 20 on bail of 175. $ 000.

The 23-year-old rapper had a warrant for his arrest since last summer. He is known for singles such as “23 Island”, “Elimination” and “Opps,” which together have amassed some 170 million streams on Spotify.

In Tangipahoa, a shooting left 1 dead and 2 wounded, 3 arrested and 2 wanted

Three suspects have been arrested and two others are wanted for their alleged involvement in a shootout while hiking in Tangipahoa Pari…

John H. Thomas, a New Orleans-based defense attorney who represents Jaylohn Mitchell, wondered if evidence like a video clip of Scott and his client would hold up in court.

While prosecutors and the general public might see a video featuring guns and rap music as evidence of a crime, he said, this activity is usually more gestural than anything else.

“I always argue that if it was a country song about a shootout in Dodge City, people wouldn’t make the same case as if it were a rap video.” , did he declare.

Many of the August 8 party attendees in Roseland were not involved in the conflict that led to the shooting. Those passers-by included Zion Hutcherson, 21, a Baton Rouge resident and mother of a young child who died at the scene.

For defense lawyers and prosecutors, Thomas said, the case could prove to be incredibly complicated. The entire crime scene had been overrun by people by the time detectives arrived, he said, and areas that could have served as evidence had been overrun.

Two more suspects arrested in deadly Tangipahoa shooting, total now 6

Two other suspects were arrested in the murderous shooting of a 21-year-old woman in August while hiking in Tangipahoa parish.

“I rely a lot on this book called ‘Crime Scene Reconstruction’ in these cases,” Thomas said. “This case, there is nothing in the book that deals with this situation – it’s just hard to know who was where (at the scene) when it happened.”

Detectives recovered dozens of cartridge cases from the Roseland scene – some of them from AR-15 rifles with armor-piercing bullets. According to Schwebel, baby pacifiers and rattles belonging to Hutcherson’s one-year-old were sitting in his car, away from his body.

Fugitive arrested for August murder of Baton Rouge mother, other gang shootings

A man wanted for the shooting death in August of a young mother from Baton Rouge has been arrested in Tangipahoa for a separate shooting.


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R. Kelly sales soar 500 percent after guilty verdicts https://lotusandrose.com/r-kelly-sales-soar-500-percent-after-guilty-verdicts/ https://lotusandrose.com/r-kelly-sales-soar-500-percent-after-guilty-verdicts/#respond Fri, 08 Oct 2021 18:26:38 +0000 https://lotusandrose.com/r-kelly-sales-soar-500-percent-after-guilty-verdicts/ R Kelly – Credit: Amr Alfiky / AP R. Kellythe fall from grace accelerated after he was convicted of racketeering, sexual exploitation of a child and kidnapping, but its flows and sales have not declined at all. In fact, within a week of her guilty verdict, Kelly’s music saw double-digit growth in streams and triple-digit […]]]>

R Kelly – Credit: Amr Alfiky / AP

R. Kellythe fall from grace accelerated after he was convicted of racketeering, sexual exploitation of a child and kidnapping, but its flows and sales have not declined at all.

In fact, within a week of her guilty verdict, Kelly’s music saw double-digit growth in streams and triple-digit growth in sales. From September 27 to October 3, Kelly’s on-demand audio streams increased 22%, while video streams increased 23% from the previous seven days. In total, his streams went from 11.2 million to 13.4 million. His album sales increased by 517%.

More from Rolling Stone

For the past four years, streaming services like Apple Music and Spotify have “cut” R. Kelly’s music by not including his songs in curated playlists. And many artists have decided to withdraw their collaborations with R. Kelly from streaming, such as Chance the Rapper, which deleted “Somewhere in Paradise” in January 2019. This week, “Where You At” by Jennifer Hudson, written and produced by R. Kelly, too seemed to disappear streaming.

But for the most part, Kelly’s music is still available for those who want to stream her, and her streams haven’t gone down at all over the past four years. In 2017, R. Kelly averaged around 5.4 million on-demand audio streams per week, and this year it averaged around 6.4 million.

The only platform to clean up its music has been YouTube, which announced this week that he closed two official R. Kelly YouTube accounts which housed his official music videos (although unofficial clips remain on the platform and his music remains available on YouTube Music). Although video streams increased in the week following the verdict, there will likely be a sharp drop in the coming days.

It is not uncommon for an artist to see a spike in activity right after a controversy. Morgan Wallen, for example, saw sales skyrocket to 1,220 percent after a video of him was released using a racial slur.

The best of Rolling Stone


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‘The Jesus Music’ doc avoids tough questions to preach to choir https://lotusandrose.com/the-jesus-music-doc-avoids-tough-questions-to-preach-to-choir/ https://lotusandrose.com/the-jesus-music-doc-avoids-tough-questions-to-preach-to-choir/#respond Thu, 07 Oct 2021 11:52:03 +0000 https://lotusandrose.com/the-jesus-music-doc-avoids-tough-questions-to-preach-to-choir/ Sometimes a movie leaves you with more questions than it answers – and not in that mind-boggling sense of “creation”. Rather, it is: how was it done, and why? These questions will be a common reaction to “The Jesus Music”, a film that preaches to the choir in love with contemporary Christian music (CCM) by […]]]>

Sometimes a movie leaves you with more questions than it answers – and not in that mind-boggling sense of “creation”. Rather, it is: how was it done, and why?

These questions will be a common reaction to “The Jesus Music”, a film that preaches to the choir in love with contemporary Christian music (CCM) by tracing the roots of the genre from the 1970s to the present day. Brother filmmakers Jon and Andrew Erwin rely heavily on artists to tell this story, with a few industry figures from co-production partner K-LOVE and historian John Thompson offering moderate reviews at times.

The Erwins’ approach works for inspiring biopics, possibly including their movie about the NFL great Kurt Warner, released this Christmas. Obviously, this documentary is crafted with a genuine love for these artists and their music. But in an era of real crime and revealing documentaries, viewers can feel like they are “looking through pink stained glass windows,” to quote the lyrics of a ’90s CCM hit.

“From the start, we weren’t trying to chase the scandal,” Andy Erwin told me in an interview. “We were trying to understand the human struggles of these artists.”

Certainly, anyone who enjoys the songs of Michael W. Smith and his contemporaries over the past 40 years (I admit yes) will enjoy “The Jesus Music” and learn a lot. The co-directors’ empathetic lens captures remarkable emotional moments, such as Toby Mac sharing the recent tragic loss of his son Truett.

The historical footage compiled here from live events, music videos, and news footage visualize key moments in this cultural history. Occasional critics of the radio genre would do well to take a look at this document to learn about the main players and events in this subculture. It’s a quick CCM 101 course, better than any Wikipedia page. But it feels incomplete at best.

Pioneers against traditionalists of the Church

Erwin believes that CCM was founded with “the spirit of a pioneer”, against the grain of society. “Artists ask, ‘How can I find my voice when I don’t feel like someone is like me? “This pioneering spirit is romantic, rebellious and universally identifiable,” he said.

Referring to the roots of the industry, Erwin is right. A spiritual renewal in the 1960s and early 1970s, the Popular movement of Jesus was started in churches on the west coast and spread across the United States. Youth in rebellion against the mainstream have found substance in an organic Christian faith with little religious pageantry.

“These kids were exhausted from sex and drugs,” Erwin said. “They had an encounter with Jesus Christ, began to understand the gospel, and became known as Jesus Freaks. Their music came out of there. The film features CCM pioneers such as Resurrection Band, 2nd Chapter of Acts, and Larry Norman.

The early segments of “The Jesus Music” capture this freewheeling spirit, particularly footage from Explo ’72, a week-long outdoor festival in Dallas in June 1972. Folk-rock artist Johnny Cash has performed a set alongside CCM actors like Norman, Andraé Crouch, Love Song and evangelist Billy Graham endorsed the youth gathering.

“Standing side by side with some of these guys, Billy risked a lot of backlash,” film producer Kevin Downes said. “I love his heart, how he saw the message driving these artists.”

Fast forward a decade and the film’s other remarkable segment shows this conflict – between church traditionalists and cultural rebels – unfolding in startling and startling detail. The heavy metal band Stryper play in front of a packed audience in the 1980s and their stunning videos received a significant rotation on MTV. Their name derives from a Bible verse that believers consider to refer to Christ – “by His stripes we are healed” – and their songs invariably refer to seeking God and rejecting the world.

Stryper members share how they converted to Christianity thanks to a televangelist. Years later, that same TV preacher denounced their on-air music. It’s a powerful story told with nuance.

“Moments of Criticism”

When the film tries to trace a pioneering spirit to the current CCM, it mostly misses how trade has become a dominant driver. “Safe for the whole family” radio stations and Christian bookstores now closed have long determined which CCM songs and artists are in the spotlight.

Today, CCM radio stations – many of which are affiliated with K-LOVE, co-producer of this documentary – openly state that their song choices are directed to “Becky,” a prototype 35-year-old white woman with two children. Does this narrow demographic focus limit the themes and styles Christian artists can explore? Why are so many hits of the genre so alike?

The doc doesn’t seem interested in such questions. “We tried to choose our critical moments,” said co-director Andy Erwin. “Because it sounded like too many bunny trails, we didn’t explore all of these [conflicts]. “

One segment criticizes how the predominantly white CCM broke away from black gospel, rap and related musical styles rooted in minority communities. Grammy-winning artist Kirk Franklin shares his point at some length.

Recently, Franklin chose to boycott the GMA Dove Awards, after his past speeches were removed from telecast – specifically, mentions of racial injustice. “Not only did they edit my speech, they edited the African American experience,” Franklin said in 2019.

This film shows top Christian performers listening to Franklin deliver a rousing speech that addresses the concerns of today’s predominantly black communities. Other artists, notably Lecrae, also speak of the discrimination they have faced. However, he lacks the power he might have had had the document provided context, as it never mentions the televised montage of Franklin’s past speeches.

“Catharsis tends to unite a lot more than shame,” Erwin said in response. “What was important for [Franklin] was heard – not fighting.

Idealized portrait of a complex story

With its sweetness, “The Jesus Music” ends with resonant emotional moments and interesting stories. It also serves as an appetizer of sorts for a mid-budget dramatic biopic, “The Jesus Revolution,” which the Erwins and the team are expected to direct. movie – with Jim Gaffigan as Pastor Calvary Chapel Chuck Smith and Joel Courtney as Greg Laurie. “You’ll see pieces of that documentary in this movie,” producer Downes said.

The creative pioneers started the CCM as this documentary claims, although many wonder if it ended where it started. To attempt a 201 or 301 course on CCM, one would have to ask more difficult questions: about the mixture of faith and commerce, Christian fame as spiritual authority, and the creative pitfalls of imitating traditional music.

Ideas like this don’t fit into a 90-minute movie that just ends as well as a three-minute song. “A movie like this sends audiences on a journey and it can’t seem too disjointed,” Downes said, defending their approach. “You have to create something that has narrative meaning. “

While preaching to the choir has its place, American religion has enough actors to do welfare hagiography without documentary filmmakers getting involved in the act.

Rated PG-13 for some drug references and mature themes, “The Jesus Music” is currently in theaters and soon on demand.

Josh Shepherd covers culture, faith and public policy for several media, including The Stream. His articles have appeared in Christianity Today, Religion & Politics, Faithfully Magazine, Religion News Service, and Providence Magazine. A graduate of the University of Colorado, he previously served on the staff of the Heritage Foundation and Focus on the Family. Josh and his wife live in the Washington, DC area with their two children.


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Music Videos on BendFilm | Sound stories and interviews | Fold | The Weekly Source https://lotusandrose.com/music-videos-on-bendfilm-sound-stories-and-interviews-fold-the-weekly-source/ https://lotusandrose.com/music-videos-on-bendfilm-sound-stories-and-interviews-fold-the-weekly-source/#respond Wed, 06 Oct 2021 21:04:25 +0000 https://lotusandrose.com/music-videos-on-bendfilm-sound-stories-and-interviews-fold-the-weekly-source/ There is an art to make the perfect clip, and over the years they have evolved and adopted many styles. Some are released as high profile shorts, like Kanye West’s “My Beautiful Dark Twisted Fantasy”, while others stay true to the song’s lyrics. Others are released as comic plays, animated short films, powerful statements. Whatever […]]]>

There is an art to make the perfect clip, and over the years they have evolved and adopted many styles. Some are released as high profile shorts, like Kanye West’s “My Beautiful Dark Twisted Fantasy”, while others stay true to the song’s lyrics. Others are released as comic plays, animated short films, powerful statements. Whatever genre you can think of, it was turned into a music video. When done right, they take a lot of time, care and effort, which is why it makes perfect sense to present them at the BendFilm Festival.

This is the first year of the music video category, and viewers will be treated to 10 different videos covering a variety of visual styles, messages and genres of music. The ones chosen are a real showcase that highlights what can be possible by mixing two mediums (sometimes more) in the right way, and going above and beyond to share a message and a story.

  • MOsley Wotta and Jesse Locke
  • An excerpt from the colorful and moving video of “Just Like Them”.

“Expanding our festival categories means that we are officially expanding our recognition of storytellers from all immersive mediums. We relish the opportunity to celebrate the role film and music play together in captivating, creating a sense of belonging and inviting audiences to dream. We can’t wait to share this new category with 10 beautiful videos that bare the soul, ”said Selin Sevinc, BendFilm Chief Programmer.

Featured artists include Sleater-Kinney, FREAK DADDY ft .. Daisha McBride, Chad Matador and Hadrian Shmadrian, Dolphin Midwives, MOsley Wotta, Deaf Telepathy, Kevin Knapp ft. Baby Luck, Ellington Peet ft. Emilia Austin, Mike Meyerz and Harry The Nightgown.

Two Bend-based directors are featured in the mix of videos. Among them is Doone Williams, who directed the Portland band’s video Dead Telepathy for “Midnight Sun” and did a trippy montage of found images and visual effects, as if you were watching videos of your own lost memories. . Meanwhile, Jesse Locke, who worked with Bend’s MOsley Wotta on “Just Like Them,” helped create an animated world of lines and colors using thousands of hand drawings to create the electrifying effect. The song itself is about navigating your own narrative, and the video plays it. Project leaders include Locke, Jason Graham from MoWo, Kaycee Anseth, and even Graham’s kids helping out.

“It was the biggest effort we’ve ever made, in terms of hard work. It took 18 months. We were intensely dedicated to the practice of showing up and doing this thing little by little,” says Graham. “When you do an animation piece, it’s hours of your life. Seeing that you could put a lot of time and effort into something and that you could see tangible results was a huge step forward when we saw what we could do. ”

All entries use their own visual techniques and storytelling methods. For example, in Sleater-Kinney’s “Worry With You” a couple find themselves living together in a place that’s too cramped, making it both a fun video and a reflection on spending a little too much time. in our homes during the pandemic. Kevin Knapp’s video for “Cute” is a fun representation of body positivity and acceptance. Chaz Matador and Hadrian Shmadrian’s video for “Reputation” pokes fun at the question: what would you do to be successful? As a musician tries to fake his death to sell records, only bad things happen.

That’s the beauty of the music videos category: everyone shares their own message and each video is designed in its own way. This is a strong group that will highlight the power of this particular medium, and they all deserve the freshman selection. Additionally, this inclusion also opens doors for other musical artists in the community who might want to work with directors and develop their visual art in the future.

“Taking into account how to diversify what they are [BendFilm] doing so is for the betterment of the community. It just opens up more avenues. I’m all for expanding what film means and what visual media means. They actively watch what they don’t see, and that’s a consequence of that, ”Graham added.

Bend Festival
October 7-17
Various locations, & virtual
$ 275 all access, $ 175 full access to the film and $ 100 virtual access


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Jayda clips get nod at Manhattan International festival https://lotusandrose.com/jayda-clips-get-nod-at-manhattan-international-festival/ https://lotusandrose.com/jayda-clips-get-nod-at-manhattan-international-festival/#respond Wed, 06 Oct 2021 11:00:00 +0000 https://lotusandrose.com/jayda-clips-get-nod-at-manhattan-international-festival/ Two music videos by singer-songwriter Jayda qualified for official selections in the Best Music Video category at the Fall 2021 Manhattan International Film Festival (IFFM). Singer and songwriter Jayda is also a music video director. These videos marked Jayda’s adventure in directing, with “Paano Kung Naging Tayo?” making her directorial debut while the music video […]]]>
Two music videos by singer-songwriter Jayda qualified for official selections in the Best Music Video category at the Fall 2021 Manhattan International Film Festival (IFFM).

Singer and songwriter Jayda is also a music video director.

These videos marked Jayda’s adventure in directing, with “Paano Kung Naging Tayo?” making her directorial debut while the music video “MU (Malabong Usapan)” was her co-directing project with Edrex Clyde Sanchez. On Instagram, Star Magic artist and talent at RISE Artists Studio expressed gratitude to his Star Music label and ABS-CBN Music head Roxy Liquigan, saying: horizons and keep challenging me as an artist and creator! The “Paano Kung Naging Tayo?” MV, with nearly a million views on YouTube, features former PBB roommate: Otso Rhys Miguel. Jayda’s close friend, Francine Diaz, starred with her in the music video for “MU (Malabong Usapan)”, which now has 663,000 views on YouTube. The two tracks are also part of his first album of eight tracks released last June entitled Bahagi. The IFFM is an independent film festival in New York City, United States that prides itself on offering a quality selection of world-class films that “encompasses all genres, including narrative feature films, documentaries, short films. feature films and student films from around the world. “This year’s IFFM Fall Festival screening will take place online October 14-17 and live on October 16 at the Producers Club in New York.

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The meaning and the translation in English of the lyrics of “Savage” by Aespa https://lotusandrose.com/the-meaning-and-the-translation-in-english-of-the-lyrics-of-savage-by-aespa/ https://lotusandrose.com/the-meaning-and-the-translation-in-english-of-the-lyrics-of-savage-by-aespa/#respond Tue, 05 Oct 2021 21:12:46 +0000 https://lotusandrose.com/the-meaning-and-the-translation-in-english-of-the-lyrics-of-savage-by-aespa/ K-pop girl group aespa is officially back with new music and an exciting backing video. On Tuesday October 5th, they released their first EP, Savage, with their first single of the same name. Their new project comes five months after the release of “Next Level” in May. If you are wondering about the meaning and […]]]>

K-pop girl group aespa is officially back with new music and an exciting backing video. On Tuesday October 5th, they released their first EP, Savage, with their first single of the same name. Their new project comes five months after the release of “Next Level” in May. If you are wondering about the meaning and the English translation of aespa’s “savage” lyrics, know that the song will give you the impression of having a lot of power.

aespa, made up of members Karina, Winter, Giselle and Ningning, has been releasing bops since their debut in November 2020 with “Black Mamba”. What’s particularly interesting about their visuals is that they rely on animated equivalents called “ae”, which are basically their avatars. In their clips, the human members of aespa and their digital characters work in tandem to take down a villain named Black Mamba. Super cool, right?

“Savage” continues this story. During the song, the girls sing to not let anyone or anything scare them. “Oh my God! Don’t you know I’m a savage? They sing first before going into the first verse: ‘I’m a killa’, who will break you, ae / You’re hiding again and you hallucinate.

In the chorus, Aespa sings as he is about to defeat his villain. “I can see your words, your weakness algorithm/ It smokes, it smokes, ”they say. Watch aespa’s “Savage” music video below.

You can also read the English meaning and translation of Aespa’s “Savage” lyrics below, via Genius.

Introduction: Winter

oh my God

Don’t you know I’m a savage

Verse 1: Karina, Giselle

I’m a killa ‘, who’ll break you, ae

You always hide and you hallucinate

Fight, we scream

I’m not afraid of you, you, you hit yourself harder

Push me, deep wrong on me

At the unprepared stage

Corner me, fake on me

I have everyone, make fun of me

You shake me so that I’m ashamed

The cold spectators are collapsed, ae

I can’t stand you anymore, say “No!” (Yeah yeah)

Chorus: Winter, Ningning

Wait and see i’m a little wild

Your dirty game

I can not stand it anymore

You wanna break me down

Your hallucinations become

The reasons to build you

i am a savage

I’m gonna break you to pieces yeah, oh-oh-oh-oh

i am a savage

I’m gonna crush you, oh-oh-oh-oh-oh

Choir: Karina, Giselle, Karina & Ningning

Get me, get me now

Get me, get me now (Zu-zu-zu-zu)

Or I’ll get wilder (Zu-zu-zu-zu)

Get me, get me now

Get me, get me now (Zu-zu-zu-zu)

Now I’m gonna have you now I’m a savage

Give me, give me now

Give me, give me now (Zu-zu-zu-zu)

I can see your words, your weakness algorithm (Zu-zu-zu-zu)

Smoking is smoking, smoking is smoking (Zu-zu-zu-zu)

MA ae SYNK, don’t bother me and get bogged down, wild (Zu-zu-zu-zu)

Verse 2: Giselle, Winter, Karina

Mhm, everybody’s looking at me

I’m used to it, I should take a step back

I have to endure it like an adult

I am locked in the glass

I wanna play such a horrible wait

I’m locked in this hallucination frame

I’m going to KWANGYA, game in

Overcome subtle alienation

And making me drift away from my ae

Your Satisfying Tip

We went KWANGYA, game in

Cut it, my sword of light

To you who is damaged

It’s a ruthless punch

Chorus: Ningning, Winter, Karina

See? i’m a little wild

I block your power of regeneration

I distract you, I leave you aside

Remember, it’s KWANGYA

I control your time and your space

Do it, break it

i am a savage

I’m gonna break you to pieces, oh-oh-oh-oh

i am a savage

I’m gonna crush you, oh-oh-oh-oh-oh

Choir: Winter, Ningning, Karina & Ningning

Get me, get me now

Get me, get me now (Zu-zu-zu-zu)

Or I’ll get wilder (Zu-zu-zu-zu)

Get me, get me now

Get me, get me now (Zu-zu-zu-zu)

Now I’m gonna have you now I’m a savage

Give me, give me now

Give me, give me now (Zu-zu-zu-zu)

I can see your words, your weakness algorithm (Zu-zu-zu-zu)

Smoking is smoking, smoking is smoking (Zu-zu-zu-zu)

MA ae SYNK, don’t bother me and get bogged down, wild (Zu-zu-zu-zu)

Bridge: Winter, Karina, Ningning, Giselle

You are the one who protected me when I was in trouble

My nevi, we love you

My victory, a SYNK DIVE

All the opportunities you created

I know your sacrifices, oh

My nevi, we love you

I know we’ll make sure you get your memories back

Surely we meet after the resurrection

Distribution: Karina, Ningning

Savage

Savage

Yes

Choir: All, Karina, Winter, Ningning

Catch me, catch me now (Bring me now)

Catch me, catch me now (Bring me now)

(Zu-zu-zu-zu)

Or I’ll (Take me now) get (Take me now, oh-oh-oh) wilder

(Zu-zu-zu-zu)

Catch me, catch me now (Bring me now)

Catch me, catch me now (Bring me now)

(Zu-zu-zu-zu)

Now I’m gonna (take me now) gonna get you (take me now) now I’m a savage

(Yeah, yeah, yeah, yeah) Give me, give me now

Give me, give me now (Zu-zu-zu-zu)

I can see your words, your weakness algorithm (Zu-zu-zu-zu) (Give me now)

Smoking is smoking, smoking is smoking (Zu-zu-zu-zu)

MA ae SYNK, don’t bother me and get bogged down, wild (Zu-zu-zu-zu)

Outro: All

Haha what?

aespa Savage EP is now streaming.


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A Guide to 13 Popular Music Streaming Services https://lotusandrose.com/a-guide-to-13-popular-music-streaming-services/ https://lotusandrose.com/a-guide-to-13-popular-music-streaming-services/#respond Mon, 04 Oct 2021 20:42:54 +0000 https://lotusandrose.com/a-guide-to-13-popular-music-streaming-services/ Disadvantages of streaming music Music streaming services have shortcomings. On the one hand, you don’t own the music. You basically rent it out, so if you stop paying a month, you’re without your music. Compare that to a shelf full of music CDs you own. “While it’s unlikely, a music service could push a button […]]]>


Disadvantages of streaming music

Music streaming services have shortcomings. On the one hand, you don’t own the music. You basically rent it out, so if you stop paying a month, you’re without your music. Compare that to a shelf full of music CDs you own.

“While it’s unlikely, a music service could push a button and it’s all gone for everyone, or an artist you love may remove their music catalog from the service,” Greene said. “My point is that the music doesn’t belong to you forever. “

Alper considers this to be the norm these days. “The idea of ​​ownership is foreign to many grandchildren of AARP members, I would say, whether it’s music or movies or even owning a car, with services like Uber,” says -he.

While the sound quality is good, those who take music seriously say that streaming doesn’t compare to the fidelity of CDs. Plus, many prefer a tangible experience, holding – and marveling – at the artwork with an album and reading sleeve notes and lyrics or flipping through a booklet with a CD. Another potential problem: Unless the service lets you download music to your device when you know you’ll be offline, like on a plane or on the subway, you need an internet connection to listen.

“If you’re using Wi-Fi, it’s probably fine. But if you’re listening outside the home and don’t have unlimited data [with your mobile phone plan] then you could get a really big phone bill, ”says Greene.

How to choose a music service

The big three music services – Spotify, Apple Music, and Amazon Music Unlimited – each have around 75 million songs that can be played on multiple devices.

“Really, you can’t go wrong between the greats,” says Alper.

Other services include Deezer, iHeartRadio, LiveXLive (formerly Slacker Radio), Pandora, Sirius XM, SoundCloud, Tidal, TuneIn Radio, and YouTube Music with many acting more like traditional radio stations but with curated playlists. Like the Big Three, many use artificial intelligence to detect what kind of music you like and suggest more.

“[But] there are a few considerations to take into account when choosing one over the other, such as whether there is an ad-supported free version or not, and what extras do they offer, ”says Alper.

For example, Alper says he likes Apple Music to display song lyrics when music is playing. But Spotify offers something called Canvas, animated video backgrounds for some albums, as well as a solid collection of podcasts as part of your subscription. Spotify’s music quality is good, Alper says, but notes that Apple Music has added “lossless” sound for even better sound, if that’s important to you.

Most offer free trials

While most services offer a free trial and then charge around $ 9.99 per month – and often with discounts for multiple members of the same household – you can be swayed by a music streaming platform if you get a prize. lump sum.

For example, Amazon Music Prime is included with Amazon Prime ($ 119 per year), which also gives you free express shipping on millions of Amazon.com items, access to Amazon Prime Video, eBooks, and Free Kindle magazines and an unlimited photo back. -up in full resolution. In other words, why pay for another service if you already have one that you might not have noticed?

Likewise, Apple Music is part of Apple One, which bundles multiple Apple services into one subscription, starting at $ 14.95 per month for Apple Music, Apple TV +, Apple Arcade, and iCloud + (for 50 gigabytes of storage). The Apple One family plan, at $ 19.95 per month, allows up to six people to access these services and expands iCloud + storage to 200GB of data.

You can choose a music service that your friends are connected to, so that you can share playlists. Or pay for a service. And if you feel like you are missing some music, use the free version of another one, which will add ads and limitations on how many times you can advance if you don’t like a song you don’t like. you hear.

Since each service has a free trial period, you can always try before you buy.


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Watch the lavish music video for Manila Grey’s new song “Island Baby (Maarte)” https://lotusandrose.com/watch-the-lavish-music-video-for-manila-greys-new-song-island-baby-maarte/ https://lotusandrose.com/watch-the-lavish-music-video-for-manila-greys-new-song-island-baby-maarte/#respond Mon, 04 Oct 2021 09:34:43 +0000 https://lotusandrose.com/watch-the-lavish-music-video-for-manila-greys-new-song-island-baby-maarte/ Filipino-Canadian R&B duo Manila Gray shared the music video for their latest song, “Island Baby (Maarte)”. Directed by Brock Newman and Manila Grey’s Soliven, the lavish video premiered on YouTube earlier today (October 4) and opens with a short skit of the couple preparing for a crazy day. This is followed later by scenes of […]]]>

Filipino-Canadian R&B duo Manila Gray shared the music video for their latest song, “Island Baby (Maarte)”.

Directed by Brock Newman and Manila Grey’s Soliven, the lavish video premiered on YouTube earlier today (October 4) and opens with a short skit of the couple preparing for a crazy day. This is followed later by scenes of Manila Gray at a party and photoshoot, where they are surrounded by a group of women.

Watch the video for ‘Island Baby (Maarte)’ below.

Produced by longtime producer and duo manager Azel North, “Island Baby (Maarte)” features acoustic guitar licking supported by thick bass rumbles and trap percussion.

The song is one of five tracks featured on Paradise Rising’s recently released sophomore compilation “Semilucent 2.” The EP, released today, also features tracks from Steven Peregrina, Daze, Curtismith, CA Christian Alexander, Manila Killa and Yuna.

Paradise Rising announced via social media that it will release individual music videos for all five songs on the disc by tomorrow (October 5).

Paradise Rising is a Filipino imprint of 88rising, a prominent Asian record label. Paradise Rising’s debut EP “Semilucent” arrived at the end of July last year.

Manila Gray recently released a remix of Nadine Luster’s ‘Ivory’ in mid-September. The duo released their second album ‘No Saints On Knight Street’ in late March. Last year they released a “slow + reverb” remix of their 2019 debut album “No Saints Loading”.



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Mapo classical music festival tackles the environment https://lotusandrose.com/mapo-classical-music-festival-tackles-the-environment/ https://lotusandrose.com/mapo-classical-music-festival-tackles-the-environment/#respond Sun, 03 Oct 2021 07:25:01 +0000 https://lotusandrose.com/mapo-classical-music-festival-tackles-the-environment/ Cellist Yang Seong-won and pianist Hong So-yu film “Winter”, part of the “Mapo Four Seasons” project at Mapo Art Center in west Seoul. [MAPO CULTURAL FOUNDATION] The annual Mapo District Classical Music Festival will focus on raising awareness of the global climate crisis, appropriately holding his main concert in Korea’s first power station. Seoul’s West […]]]>

Cellist Yang Seong-won and pianist Hong So-yu film “Winter”, part of the “Mapo Four Seasons” project at Mapo Art Center in west Seoul. [MAPO CULTURAL FOUNDATION]

The annual Mapo District Classical Music Festival will focus on raising awareness of the global climate crisis, appropriately holding his main concert in Korea’s first power station.

Seoul’s West District, home to hip neighborhoods like Yeonnam-dong, Hongdae, Sangsu-dong, and Mangwon-dong, hosted a classical music festival known as Mapo Performing Arts & Tourism (M-PAT ) Classical Music Festival over the past six years in efforts to change the perception that classical music is only for intellectuals.

This year, from October 5 to 30, the Mapo Cultural Foundation announced that it has decided to organize the festival on the theme “Green with Classic” as the concept of environmental, social and governance (ESG) management takes on importance. in the whole world. Some concerts will take place both offline and online, while others will only take place online to help fight Covid-19.

The main concert will take place on October 9 at Seoul Power Station, home of the Dangin-ri Power Station. It began operations in 1930 as the country’s first coal-fired power station. Following major overhauls in the 1980s, the plant ceased to use coal or heavy fuel oil. An underground thermal power station currently uses liquefied natural gas and the aerial site has been transformed into a park.

Various classical artists will perform, including the Forte di Quattro crossover quartet, Brass Arts Seoul and the Millennium Symphony Orchestra. The host will be classical music critic Jang Il-bum. While the music is playing, models will parade on a catwalk with recycled clothing designed by students from the Department of Textile Art and Fashion Design at Hongik University. The concert and parade will be broadcast live on YouTube.

The foundation said it had filmed video clips for the festival’s online programs. “Mapo Four Seasons” is a project honoring the country’s four seasons, which are becoming less and less distinct due to environmental pollution and climate change. Four music videos were produced for the project.

“Winter,” which will be released on October 5, features Bam Island on the Han River, which has become home to migrating birds. The clip will show what it looked like in 1960 when the city government razed the island to develop the Han River. Cellist Yang Sung-won and pianist Hong So-yu perform “Arpeggio Sonata in A minor D. 821” by Schubert, “Cello Sonata in G minor, Op. 19 “, and” Vocalise “and” Winter “by Vivaldi from” The Four Seasons. “The two musicians recorded the pieces in the Mapo Art Hall, currently under renovation.

“Spring” will be released the following week and will feature scenes from Haneul Park in Sangam-dong. “Summer” will be released the following week and “Autumn” on October 26th.

“This year’s festival aims to highlight a message of environmental protection, which is a global issue,” said Song Je-yong, director of the Mapo Cultural Foundation. “Although the subject of the environment can be a bit heavy for a classical music festival, we wanted to show that classical music can also convey such social messages.”

For more information on the festival, visit www.m-pat.kr.

BY YIM SEUNG-HYE [yim.seunghye@joongang.co.kr]


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